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The Benefits of African Diaspora Dance Studies
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the perfect tools to teach
racial tolerance.
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give students an opportunity to
develop a global vision.
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can be easily expanded into
interdisciplinary studies.
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educate the dancers, student body and
faculty on the African cultural legacy.
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develop coordination and aerobic
fitness.
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offer more than fun-- the true
meaning of joy.
Beginning an African Diaspora Dance Project
will require courage. Over time the rewards will be great.
"I long to accomplish a great and noble tasks, but it is my chief duty to
accomplish humble tasks as though they were great and noble. The world is
moved along, not only by the mighty shoves of its heroes, but also by the
aggregate of the tiny pushes of each honest worker." Helen Keller
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My experience
On
February 25th, 2000 the Molina High School Ballet Folklórico Jaguara
performed selected numbers from their evening concert, Tambores: A Celebration of the Music and
Dance of the African Diaspora, in the school African History
Assembly. Comments made following the performance by some African American students and faculty made
me aware of the critical need for cultural and historical
instruction.
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| Prejudice in the Hallways An
African American teacher on the Molina faculty was quoted as saying, “I don’t
know why those Hispanic students are doing that Mexican dance in this
assembly.” The Mexican dance that the teacher referred to was the
merengue, the national dance of the Dominican Republic, a country located on
the eastern two-thirds of the island of Hispanola in the Caribbean Sea. The six
million inhabitants of the island are primarily mulatos, persons
of mixed black and white ancestry or blacks of pure African ancestry.
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| Ignorance
It is a mark of ignorance to assume that the African Diaspora legacy is
limited to the music and dance of the United States. It is also a mark
of ignorance to assume that persons of Hispanic origin do not have a African
heritage of their own to share during a Celebration of African American
Cultural Heritage. Molina High School's population was 84.5% of Hispanic
origin. To perform only the dances of North America was to discriminate
against 84.5% of the students. In a planning meeting, I was met with
resistance by the multicultural committee. When I said, "Mexico is a part of
North America," a couple of faculty members gave me hateful looks.
During the process of producing Tambores, I was surprised to learn how
many of my students did not know that there were African slaves in Central and
South America as well as in the Caribbean. Our trips to the library were exciting excursions as students
discovered facts for the lecture. Following the assembly, all of us felt
rededicated to our mission, to present programs that provide cultural enrichment
and that promote better human relations.
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Teaching Appropriate Social Action
Use Emotions to MotivateFollowing the
disappointing response from some faculty and students. the dance students were
asked to compose a letters to the editor of the school newspaper. I read the
letters and
highlighted thoughtful comments. The letters containing the most thought provoking
comments were given to the best writer in my classes, who in turn composed a
letter representing the sentiments and thoughts of the entire dance group. The
letter was published in the school newspaper. The principal read the letter in a
meeting of all the department chairs. Over a period of years, the attitude
changed. Hispanic students became welcomed participants in the African American
Assembly.
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| By Teaching Students Learn
During all our concerts including Tambores, each dance number was preceded
by a bilingual introduction. By teaching the students had an opportunity to
learn. The content of the introductions prepared by the
students served to educate the students as well as the audience.
Bilingual Introductions
Involved all students and all parents.
Two Infocus
projectors were used. One Infocus projected a PowerPoint in English and a second
simultaneously projected a PowerPoint in Spanish. In the interest of time,
introductions were read in only one language. Students alternated reading
in English and Spanish. Our introductions were bilingual because Molina High
School was 84.5% Hispanic.
Spanish introductions allowed students who were at the beginning stages of
English acquisition to participate; it also helped parents who were not
fluent in English to feel welcome. Translating the English to Spanish and
the Spanish to English was a way to create community by making students with
dissimilar skills dependent on one another. The Spanish only, the bilingual
and the English only students each were able to make valuable contributions
in the process.
Opportunities for Community Involvement
Translating also offered opportunities to involve the Spanish honor
students, as well as faculty and people in the community.
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Liz Gallego
Director of Ballet Folklorico Jaguara
Molina High School, Dallas, Texas
1997-2007
Ms. Gallego, retired from her position
at Molina High School in 2007 to produce teaching materials to facilitate
multicultural education.
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